Laburpena

Lawrence Alma-Tadema: Phidias Showing the Frieze of the Parthenon to his Friends
Artista	Lawrence Alma-Tadema  (1836–1912)      Bestelako izenak Lawrence Alma Tadema, Lourens Alma Tadema, Laurens Alma Tadema Deskribapena margolari, marrazkilari, akuafortista eta ilustratzaile NL-GB Jaiotza/heriotza data 1836ko urtarrilaren 8a  1912ko ekainaren 25a  Jaiotza/heriotza lekua Dronryp Wiesbaden Lan egindako epea 1851-1912 Lan egindako lekua Anberes (1852-1865), Leeuwarden (1855), Kolonia (1861), Ponpeia (1863-1864), Paris (1864), Brusela (1865-1870), Londres (1868, 1870-1912), Egypt (1902-1903) Autoritateen kontrol : Q240526 VIAF: 68986036 ISNI: 0000000081483905 ULAN: 500008100 Open Library: OL5558878A DBNL: alma001 WorldCat artist QS:P170,Q240526
Izenburua	Phidias Showing the Frieze of the Parthenon to his Friends
Object type	margolan
Genero	margolaritza historiko
Depicted people	Fidias
Data	1868 date QS:P571,+1868-00-00T00:00:00Z/9
Teknika	olioa ohialean medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Neurriak	72 × 110,5 cm
Bilduma	Birmingham Museum and Art Gallery    Bertako izena Birmingham Museum and Art Gallery Parent institution Birmingham Museums Trust  Kokapena Birmingham Ingalaterra Koordenatuak 52° 28′ 49,08″ N, 1° 54′ 13,63″ W   Sorrera 1885  Webgune website Autoritateen kontrol : Q1799857 VIAF: 135732405 ISNI: 0000000121636401 SUDOC: 029554020 CiNii: DA01563042 J9U: 987007258729705171 institution QS:P195,Q1799857
Egungo kokapena	Birmingham Museums Trust
Erregistro-zenbakia	1923P118 (Birmingham Museums Trust)
Oharrak	English: Painting shows at left the North frieze slab XLVII and the West frieze Slabs I and up visible at right.[1] Among the spectators, critics have identified Pericles, the bearded man facing Phidias. Next to him is his mistress, Aspasia. In the foreground stands a boy, Alcibiades, with his lover, Socrates.[2][3][4]
Aipuak	https://www.birminghammuseums.org.uk/explore-art/items/1923P118/pheidias-and-the-frieze-of-the-parthenon  Art UK artwork ID: pheidias-and-the-frieze-of-the-parthenon-33742
Jatorria/Argazkilaria	EzezagunaUnknown source
Beste bertsioak	Irudi hori ondorengo honetatik atera da : 1868 Lawrence Alma-Tadema - Phidias Showing the Frieze of the Parthenon to his Friends (cropped).jpg Irudi hori ondorengo honetatik atera da : 1868 Lawrence Alma-Tadema - Phidias Showing the Frieze of the Parthenon to his Friends.jpg Detail, Socrates and Alcibiades

Lizentzia

Honoko hau, domeinu publikoan dagoen bi dimentsioko artelan baten argazki-erreprodukzio fidela da. Artelana domeinu publikoan dago ondoko arrazoi hauengatik: Public domainPublic domainfalsefalse Lan hau jabetza publikoan dago bai bere jatorrizko herrialdean, bai egile eskubideak egilea hil eta 100 urtera edo gutxiagora iraungitzen diren gainerako herrialdeetan. This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929. This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights. https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse Wikimedia Fundazioak duen jarrera ofiziala hau da:«domeinu publikoan dauden bi dimentsioko erreprodukzio fidelak domeinu publikokoak dira.» Argazki-erreprodukzio hau, beraz, domeinu publikokotzat hartzen da Estatu Batuetan. Beste jurisdikzio batzuetan eduki honen berrerabilera mugatua egon liteke; xehetasunetarako, ikus Reuse of PD-Art photographs.

References

1. ↑ See Parthenon Frieze Slabs at [1] Last accessed 07-Apr-2007
2. ↑ "[S]undry prominent Athenians, including Perikles with Aspasia, and Socrates with young Alcibiades, perambulate the scaffolding . . ." Nigel Spivey, Understanding Greek Sculpture, p.152
3. ↑ "he introduces us to Phidias showing the frieze of the Parthenon to Pericles, Alcibiades, and Aspasia;" in SCRIBNERS MAGAZINE, DECEMBER 1895, LAURENS ALMA-TADEMA, R.A. By Cosmo Monkhouse; p.670 Photo of page in the Cornell Library
4. ↑ "Little is actually known of the life of Phidias, but Alma Tadema's picture easily convinces us that thus the great sculptor displayed to his friends and patrons his completed handiwork. Phidias himself, standing within the rope barrier, seems to await the favorable verdict of his illustrious protector, Pericles, who confronts him and has at his side the beautiful Aspasia. The young man at the extreme left seems meant for Alcibiades, who has also accepted an invitation to this private view of the frieze of the Parthenon, seen not as we now behold it in the British Museum, but with its match-less figures glowing with the tints just laid upon it by Phidias and his fellow-workers." in Among the Great Masters of Painting: Scenes in the Lives of Famous Painters; Walter Rowlands p.2