Max Klinger
Itxura
| Max Klinger | |||
|---|---|---|---|
| |||
| Bizitza | |||
| Jaiotza | Leipzig, 1857ko otsailaren 18a | ||
| Herrialdea | |||
| Bizilekua | Brusela Berlin | ||
| Heriotza | Großjena (en) | ||
| Hobiratze lekua | Großjena (en) | ||
| Familia | |||
| Ezkontidea(k) | Gertrud Bock (en) | ||
| Bikotekidea(k) | ikusi
| ||
| Hezkuntza | |||
| Heziketa | Petri school Leipzig (en) Academy of Fine Arts, Karlsruhe (en) (1874ko apirila - 1875) Prussian Academy of Arts (en) (1875 - 1876) | ||
| Hezkuntza-maila | katedraduna | ||
| Hizkuntzak | alemana | ||
| Irakaslea(k) | Karl Gussow (en) Ludwig des Coudres (en) Emile Wauters | ||
| Jarduerak | |||
| Jarduerak | eskultorea, margolaria, unibertsitateko irakaslea, idazlea, grabatzailea, volunteer serving one year (en) | ||
| Enplegatzailea(k) | Academy of Fine Arts Leipzig (en) | ||
| Lan nabarmenak | ikusi
| ||
| Jasotako sariak | |||
| Kidetza | Berlin Secession (en) Municheko arte ederren akademia Berlingo Arteen Akademia Vienako Sezesioa | ||
| Mugimendua | sinbolismoa | ||
Max Klinger (Leipzig, 1857ko otsailaren 18a - Naumburg, 1920ko uztailaren 5a) alemaniar margolari, eskultore, imprimatzaile eta grabatzailea izan zen. Sinbolismoarekin, Vienako Sezesioarekin eta Jugendstilarekin lotuta egon zen.
Iruditegia
[aldatu | aldatu iturburu kodea]- Elsa Asenijeffen erretratua
- Johannes Brahmsen monumentua
- Beethoven
- Ama eta semea
- Jaunaren erretratua, Österreichische Galerie Belvedere, Viena
- Pissing Death (1880), Museum der bildenden Künste, Leipzig
- A Legation (1882), Museum der bildenden Künste, Leipzig, Germany.
- The Judgment of Paris (1885-87), Österreichische Galerie Belvedere, Viena
- The Blue Hour (1890), Museum der bildenden Künste, Leipzig, Germany.
- Christ in Olympus (1897), Österreichische Galerie Belvedere, Vienna, Austria.
- Landscape on the Unstrut (1912), Lindenau-Museum, Altenburg, Germany.
- The Drama
- Elsa Asenijeff, ca. 1900.
- Athlete, (1901)
- Beethoven (c. 1883-1902), Leipzig
- Beethoven Torso (1902), brontze
- Galatea (1906)
- Cupid, Death, and the Beyond, from the series Intermezzi, Opus IV, no. 12 (1881), etching and aquatint, 15.7 × 40.7 cm., Philadelphia Museum of Art
- Anxieties from the series Paraphrase on the Finding of a Glove Opus VI, no. 7 (1881), etching, Albertina, Viena
- Abduction from the series Paraphrase on the Finding of a Glove Opus VI, no. 9 (1881), Albertina, Viena
- Intermezzo, from the series A Love, Opus X, no. 6 (1887), Museum of Fine Arts, Houston
- First Future, from the series Eva and the Future, Opus III, no, 2 (1879–80), Saint Louis Art Museum
- Third Future, from the series Eve and the Future, Opus III, no, 6 (1880), Art Institute of Chicago
- Sitting Naked Woman with Dancing Phallus (1882)
- Temptation, from the series A Life, Opus VIII, no. 4 (1884), Art Institute of Chicago
- Downfall, from the series A Life, Opus VIII, no. 12 (1884), Art Institute of Chicago
- Back into Nothingness from the series A Life, Opus VIII, no. 15 (1884)
- Kiss in the Park, from the series A Love, Opus X, no. 4 (1887)
- Evocation, from the series Brahmsphantasie, Opus XII, no, 2 (1894) National Gallery of Art, Washington D. C.
- Sisifus (The Faculties) (1914)