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Carlo Maratta: Portrait of Francesca Gommi Maratti  wikidata:Q60482978 reasonator:Q60482978
Artista
Carlo Maratta  (1625–1713)  wikidata:Q538998 q:it:Carlo Maratta
 
Carlo Maratta
Bestelako izenak
Carlo Maratti, Carolus Maratta, Carolus Marattus
Deskribapena margolari, marrazkilari, artista grafiko eta artista bisuala IT
Jaiotza/heriotza data 1625ko maiatzaren 15a Edit this at Wikidata 1713ko abenduaren 15a Edit this at Wikidata
Jaiotza/heriotza lekua Camerano near Ancona, Italy Erroma
Lan egindako epea Baroque
Lan egindako lekua
Autoritateen kontrol
creator QS:P170,Q538998
 Edit this at Wikidata
image of artwork listed in title parameter on this page
Izenburua
ingelesa:
Portrait of Francesca Gommi Maratti Edit this at Wikidata
title QS:P1476,en:"Portrait of Francesca Gommi Maratti Edit this at Wikidata"
label QS:Len,"Portrait of Francesca Gommi Maratti Edit this at Wikidata"
Object type margolan Edit this at Wikidata
Genero erretratu Edit this at Wikidata
Deskribapena
English: "In 1700 Carlo Maratti’s wife died, permitting him to marry his longtime mistress, Francesca Gommi, who began modeling for the artist in the 1670s and was the mother of his only child, Faustina. This painting was presumably painted shortly after the marriage as an homage from the artist to his new wife. To introduce an allegorical element into the composition, Maratti included a painting within a painting—in this case a drawing depicting Venus forging the love-darts of her adolescent son Cupid, suggesting that love will conquer all." Cleveland Museum of Art
Data circa 1690
date QS:P571,+1690-00-00T00:00:00Z/9,P1480,Q5727902
(dated by Francesco Petrucci based on the age of the sitter and artist's stylistic language [1]) or circa 1701
date QS:P571,+1701-00-00T00:00:00Z/9,P1480,Q5727902
(dated by the museum, based on the date of her marriage with the artist)
Teknika oil on canvas Edit this at Wikidata
Neurriak altuera: 98,5 cm Edit this at Wikidata; Zabalera: 74,5 cm Edit this at Wikidata
dimensions QS:P2048,+98.5U174728
dimensions QS:P2049,+74.5U174728
institution QS:P195,Q657415
Erregistro-zenbakia
Place of creation Italia Edit this at Wikidata
Object history

Provenance:

  • by 1705 [presumably] Carlo Maratti and Francesca Gommi Maratti, Casino d'Albano
  • possibly until 1745 [possibly] by descent to their daughter, Faustina Maratti Zappi (1679-1745)
  • by 1911 - 1919, Pietro Ceci (d. 1919) (Ceci Collection, Rome)
  • 1919 - by descent to his widow, Maria Barbani Ceci, and daughters, Feliciana Schiff-Giorgini and Adriana Misciatelli
  • 2004 (Carlo Orsi, Milan)
  • 2004 - Luigi Koelliker, Milan (Robilant + Voena, London and Milan)
  • 2014 - Auction translate Sotheby's, New York, urtarrilaren 24a - 2014ko otsailaren 7a, Painting Passion: The Baroque in Italy, lot 14.
  • 2017 (NIcholas Hall, New York, by whom sold to the Cleveland Museum of Art)
  • 2018- The Cleveland Museum of Art, Cleveland, OH
Exhibition history
  • Mostra del Ritratto Italiano. Palazzo Vecchio, Florence, Italy (1911), room 26, no. 17 (as “una scultrice,” and “scuola italiano”)
  • Carlo Maratti 1625-1713. Nicholas Hall, New York, NY (2017).
  • Recent Acquisitions. The Cleveland Museum of Art, Cleveland, OH (March 17, 2018 - June 6, 2018).
  • Recent Acquisitions. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 17-June 7, 2018).
  • Lust, Love, and Loss in Renaissance Europe. The David and Alfred Smart Museum of Art, Chicago, IL (organizer) (April 5-June 12, 2021).
Aipuak https://clevelandart.org/art/2018.1 Edit this at Wikidata
Jatorria/Argazkilaria Sotheby's

Lizentzia

Honoko hau, domeinu publikoan dagoen bi dimentsioko artelan baten argazki-erreprodukzio fidela da. Artelana domeinu publikoan dago ondoko arrazoi hauengatik:
Public domain

Lan hau jabetza publikoan dago bai bere jatorrizko herrialdean, bai egile eskubideak egilea hil eta 100 urtera edo gutxiagora iraungitzen diren gainerako herrialdeetan.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

Wikimedia Fundazioak duen jarrera ofiziala hau da:«domeinu publikoan dauden bi dimentsioko erreprodukzio fidelak domeinu publikokoak dira.»
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