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Rembrandt: Self-Portrait  wikidata:Q16167060 reasonator:Q16167060
Artista
Rembrandt  (1606–1669)  wikidata:Q5598 s:en:Author:Rembrandt Harmenszoon van Rijn q:en:Rembrandt
 
Rembrandt
Bestelako izenak
Rembrandt van Rijn, Birth name: Rembrandt Harmenszoon van Rijn, Rembrandt Harmensz. van Rijn
Deskribapena margolari, printmaker eta marrazkilari Dutch
Jaiotza/heriotza data 1606ko uztailaren 15a Edit this at Wikidata 1669ko urriaren 4a Edit this at Wikidata
Jaiotza/heriotza lekua Leiden Amsterdam
Lan egindako epea circa 1625 - circa 1669
date QS:P,+1650-00-00T00:00:00Z/7,P1319,+1625-00-00T00:00:00Z/9,P1326,+1669-00-00T00:00:00Z/9,P1480,Q5727902
Lan egindako lekua
Leiden (1620-1624), Amsterdam (1624-1625), Leiden (1625-1633), Amsterdam (1631-1669)
Autoritateen kontrol
artist QS:P170,Q5598
image of artwork listed in title parameter on this page
Izenburua
Self-portrait translate
Object type margolan Edit this at Wikidata
Genero Autorretratu Edit this at Wikidata
Deskribapena
From liu.edu:
The Clowes self-portrait in Indianapolis is one of the earliest of the over 75 known self-portraits by Rembrandt, and is probably his first attempt to capture the features of the human face accurately in a life-sized work. Painted when he was only 23, it portrays Rembrandt wearing a beret, shining steel gorget, wrinkled silk scarf, and several days’ worth of stubble from his beard, visible despite the strong shadow cast across the right side of his face. The tilt of the head and open mouth give the impression that the painter has been caught off-guard, perhaps mid-sentence, lending the picture a charming sense of spontaneity.

This picture was at one time considered to be a copy of a similar painting in Japan. However, x-radiographs found that there are adjustments to the angle of the head and shoulders and to the position of his beret, indicating the artist developed his composition as he went along and was not copying an earlier work. Unlike the other five known versions of the composition, it is signed in wet paint, an indication of authenticity. He used the monogram RHL, which was typical for his paintings from Leiden. The number of copies of this self-portrait is unusual, prompting speculation that it was used in the studio as a model for his students, most likely as a lesson in depicting complex lighting schemes.
Depicted people Rembrandt Edit this at Wikidata
Data circa 1629
date QS:P571,+1629-00-00T00:00:00Z/9,P1480,Q5727902
Teknika oil on panelmedium QS:P186,Q296955;P186,Q106857709,P518,Q861259
Neurriak altuera: 17,5 in (44,4 cm); Zabalera: 13,5 in (34,2 cm)
dimensions QS:P2048,17.5U218593
dimensions QS:P2049,13.5U218593
institution QS:P195,Q1117704
Egungo kokapena
The Clowes Fund Collection
Erregistro-zenbakia
C10063
Object history
  • 1783ko irailaren 22a: Pieter Locquet (sale, Amsterdam, lot no. 325)
  • circa 1840
    date QS:P,+1840-00-00T00:00:00Z/9,P1480,Q5727902
    Pierre Yver. {1} Purchased from a Dutch diplomat in Vienna by the Polish Count Adolf Husarzewski
  • {2} his son, Count Jozef Husarzewski, and his wife, Karolina, née Princess Jablonowska; their daughter, Countess Eleonora Husarzewska [1866-1940], wife of Prince Andrzej Lubomirski, in their castle at Przeworsk, near Lvov (now Ukraine)
  • their son, Prince Jerzy Rafal Lubomirski [1887-1978], Geneva
  • 1951: (Frederick Mont and Newhouse Galleries, New York)
  • from 1951-1958: Dr. G.H.A.Clowes [1877-1958]
  • 1959 - present: The Clowes Fund Collection, Indianapolis.
Aipuak http://collection.imamuseum.org/artwork/73847/
Jatorria/Argazkilaria http://collection.imamuseum.org/artwork/73847/

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Rembrandt van Rijn, Self-portrait (1629), Oil on panel, 44 × 34 cm (17.5 × 13.5 in). Indianapolis Museum of Art, Indiana

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