Fitxategi:Fuji seen through the Mannen bridge at Fukagawa.jpg

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Katsushika Hokusai: Under the Mannen Bridge at Fukagawa  wikidata:Q18173386 reasonator:Q18173386
Artista
Katsushika Hokusai  (1760–1849)  wikidata:Q5586 q:en:Hokusai
 
Katsushika Hokusai
Bestelako izenak
Birth name: Tokitarō (時太郎)
Deskribapena margolari, marrazkilari eta printmaker JP
Jaiotza/heriotza data 1760ko urriaren 31 Edit this at Wikidata 1849ko maiatzaren 10a Edit this at Wikidata
Jaiotza/heriotza lekua Edo, today Tokio Edo, today Tokio
Lan egindako epea 1808 Edit this at Wikidata
Lan egindako lekua
Autoritateen kontrol
creator QS:P170,Q5586
 Edit this at Wikidata
image of artwork listed in title parameter on this page
Izenburua
japoniera:
『深川万年橋下』
- Fukagawa Mannen-bashi shita

Under Mannen Bridge at Fukagawa
title QS:P1476,ja:"深川万年橋下"
label QS:Lja,"深川万年橋下"
label QS:Lfr,"Le Fuji vu à travers le pont de Mannen à Fukagawa"
label QS:Len,"Under Mannen Bridge at Fukagawa"
label QS:Lde,"Unter der Mannen-Brücke in Fukagawa"
Bilduma Fuji mendiaren hogeita hamasei ikuspegi Edit this at Wikidata
Object type print / woodcut print Edit this at Wikidata
Genero paisaia margolaritza Edit this at Wikidata
Deskribapena
Part of Thirty-six Views of Mount Fuji, no. 06 .
Data First publication: circa 1830
date QS:P571,+1830-00-00T00:00:00Z/9,P1480,Q5727902
.
This edition: circa 1930
date QS:P571,+1930-00-00T00:00:00Z/9,P1480,Q5727902
.
Teknika woodblock color print
institution QS:P195,Q1129820
institution QS:P195,Q160236
Erregistro-zenbakia
Oharrak
English: Woodblock made ca. 1930 exactly the same way as they were made by artisans ca. 1830. The skill and the care are the same. There is a drawing or a copy of it coming from the artist. Then the woodcutter and the printer take over. Their skill varies. Hokusai once wrote to one of his editors that he was not happy with one of the woodcutters. In the case of the new cuts of the 36 views of the Fuji, only experts can distinguish the many versions - mainly by differences of the frame around the script
Jatorria/Argazkilaria http://visipix.com/index.htm
Lizentzia
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Honoko hau, domeinu publikoan dagoen bi dimentsioko artelan baten argazki-erreprodukzio fidela da. Artelana domeinu publikoan dago ondoko arrazoi hauengatik:
Public domain
According to Japanese Copyright Law (June 1, 2018 grant) the copyright on this work has expired and is as such public domain. According to articles 51, 52, 53 and 57 of the copyright laws of Japan, under the jurisdiction of the Government of Japan works enter the public domain 50 years after the death of the creator (there being multiple creators, the creator who dies last) or 50 years after publication for anonymous or pseudonymous authors or for works whose copyright holder is an organization.

Note: The enforcement of the revised Copyright Act on December 30, 2018 extended the copyright term of works whose copyright was valid on that day to 70 years. Do not use this template for works of the copyright holders who died after 1967.

Use {{PD-Japan-oldphoto}} for photos published before December 31, 1956, and {{PD-Japan-film}} for films produced prior to 1953. Public domain works must be out of copyright in both the United States and in the source country of the work in order to be hosted on the Commons. The file must have an additional copyright tag indicating the copyright status in the United States. See also Copyright rules by territory.

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You must also include a United States public domain tag to indicate why this work is in the public domain in the United States.
Wikimedia Fundazioak duen jarrera ofiziala hau da:«domeinu publikoan dauden bi dimentsioko erreprodukzio fidelak domeinu publikokoak dira.»
Argazki-erreprodukzio hau, beraz, domeinu publikokotzat hartzen da Estatu Batuetan. Beste jurisdikzio batzuetan eduki honen berrerabilera mugatua egon liteke; xehetasunetarako, ikus Reuse of PD-Art photographs.

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oraingoa05:46, 7 iraila 200505:46, 7 iraila 2005 bertsioaren iruditxoa4.448 × 2.959 (2,03 MB)PetrusbarbygereFacsimile of a woodblock made ca. 1930 exactly the same way as they were made by artisans ca. 1830. The skill and the care are the same.There is a drawing or a copy of it voming from the artist. Then the woodcutter and the printer take over. Their skill v

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