Rembrandt: Apostle Peter
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Artista |
Rembrandt
(1606–1669) |
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Bestelako izenak |
Rembrandt van Rijn, Birth name: Rembrandt Harmenszoon van Rijn, Rembrandt Harmensz. van Rijn |
Deskribapena |
margolari, printmaker eta marrazkilari Dutch |
Jaiotza/heriotza data |
1606ko uztailaren 15a |
1669ko urriaren 4a |
Jaiotza/heriotza lekua |
Leiden |
Amsterdam |
Lan egindako epea |
circa 1625 - circa 1669 date QS:P,+1650-00-00T00:00:00Z/7,P1319,+1625-00-00T00:00:00Z/9,P1326,+1669-00-00T00:00:00Z/9,P1480,Q5727902 |
Lan egindako lekua |
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Autoritateen kontrol |
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artist QS:P170,Q5598 |
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Izenburua |
English: St Peter Svenska: Aposteln Petrus |
Object type |
margolan object_type QS:P31,Q3305213 |
Genero |
arte sakro |
Deskribapena |
English: Saint Peter—Jesus’s disciple and the first pope in Rome—turns his grave face to look straight at us. His grim gaze seems to admonish us to think about our deeds and live a Christian life. The key is Peter’s customary symbol. In the seventeenth century, Saint Peter was an important symbol for the papacy and the Catholic Church, but he is a relatively unusual motif for Rembrandt. The directness with which the figure meets the viewer is, however, very characteristic. The chiaroscuro—where the face, hand, and key dramatically emerge from the dark—is also typical of the artist’s work. Svenska: Aposteln Petrus – Jesu lärjunge och den förste påven i Rom – vänder sig allvarsamt rakt mot oss. Hans bistra blick tycks förmana oss att betänka våra handlingar och leva kristligt. Nyckeln är Petrus stående symbol. Petrus var under 1600-talet en viktig symbol för påvedömet och den katolska kyrkan, och är ett relativt ovanligt motiv i Rembrandts produktion. Den direkthet med vilken gestalten möter betraktaren är dock mycket representativ för konstnären. Ljusdunklet – där ansikte, hand och nyckel dramatiskt träder fram ur mörkret – är också typiskt för konstnären. |
Original caption InfoField | English: Saint Peter—Jesus’s disciple and the first pope in Rome—turns his grave face to look straight at us. His grim gaze seems to admonish us to think about our deeds and live a Christian life. The key is Peter’s customary symbol. In the seventeenth century, Saint Peter was an important symbol for the papacy and the Catholic Church, but he is a relatively unusual motif for Rembrandt. The directness with which the figure meets the viewer is, however, very characteristic. The chiaroscuro—where the face, hand, and key dramatically emerge from the dark—is also typical of the artist’s work. Svenska: Aposteln Petrus – Jesu lärjunge och den förste påven i Rom – vänder sig allvarsamt rakt mot oss. Hans bistra blick tycks förmana oss att betänka våra handlingar och leva kristligt. Nyckeln är Petrus stående symbol. Petrus var under 1600-talet en viktig symbol för påvedömet och den katolska kyrkan, och är ett relativt ovanligt motiv i Rembrandts produktion. Den direkthet med vilken gestalten möter betraktaren är dock mycket representativ för konstnären. Ljusdunklet – där ansikte, hand och nyckel dramatiskt träder fram ur mörkret – är också typiskt för konstnären. |
Data |
1632 date QS:P571,+1632-00-00T00:00:00Z/9 |
Teknika |
olioa ohialean medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
Neurriak |
- altuera: 82 cm; Zabalera: 62 cm
dimensions QS:P2048,82U174728 dimensions QS:P2049,62U174728
- Framed: altuera: 106 cm; Zabalera: 93 cm; sakonera horizontalean: 11 cm
dimensions QS:P2048,106U174728 dimensions QS:P2049,93U174728 dimensions QS:P5524,11U174728
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Bilduma |
institution QS:P195,Q842858 |
Erregistro-zenbakia |
NM 1349 |
Exhibition history |
- Q109467771, 1945ko urtarrilaren 17a - 1945ko otsailaren 18a
- Q109468055, 1956ko urtarrilaren 12a - 1956ko apirilaren 15a
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Inscriptions |
Svenska: Signerad: R.H. van Ryn 1632 |
Aipuak |
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Jatorria/Argazkilaria |
Nationalmuseum |
Lizentzia (Fitxategi hau berrerabiltzen) |
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