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Fitxategi:Bellotto, Bernardo - Veduta di Gazzada.jpg

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Bernardo Bellotto: View of Gazzada near Varese  wikidata:Q19681664 reasonator:Q19681664
Artista
Bernardo Bellotto  (1722–1780)  wikidata:Q164688
 
Bernardo Bellotto
Deskribapena paisaia margolari, printmaker eta akuafortista IT
Jaiotza/heriotza data 1722ko maiatzaren 20a Edit this at Wikidata 1780ko azaroaren 17a Edit this at Wikidata
Jaiotza/heriotza lekua Venezia Varsovia
Lan egindako lekua
Erroma (1742–1744), Dresden (1747–1758), Viena (1758–1761), Dresden (1761–1764), Varsovia (1764–1780)
Autoritateen kontrol
creator QS:P170,Q164688
 Edit this at Wikidata
image of artwork listed in title parameter on this page
Izenburua
View of Gazzada near Varese
label QS:Lit,"Veduta di Gazzada"
label QS:Lfr,"Vue de Gazzada près de Varese"
label QS:Lpl,"Widok Gazzady w okolicy Varese"
label QS:Luk,"Вид Гадзади"
label QS:Lru,"Вид Гадзады"
label QS:Lde,"Blick auf Gazzada bei Varese"
label QS:Len,"View of Gazzada near Varese"
label QS:Lhy,"Գաձադայի տեսարան"
Object type margolan Edit this at Wikidata
Genero paisaia margolaritza Edit this at Wikidata
Deskribapena

The two canvases were acquired for Brera from the antique dealer Alessandro Brison. Painted during Bellotto’s journey to Lombardy in 1744, they constitute one of the highest achievements of Europe an landscape painting, while at the same time representing a move in a new direction thanks to the naturalness of the representation and its adherence to reality: unlike the traditional vedute of Canaletto, which immersed Venice in a brilliant and timeless light, Bellotto’s canvases depict a precise moment of the day, investigating both its colors and the peculiar effects of its light and thereby opening the door to the evolution of the genre in the 19th century.

Ever since they entered the Pinacoteca it was thought that they were linked to the villa of the Melzi family, and that the canvases had been commissioned by Antonio Maria Melzi, owner of the villa at Vaprio d’Adda – also painted by the artist – and a prominent figure in Milan under Austrian rule. In reality, recent research has revealed that it was not until 1838 that the Melzi became the owners of the building represented here, which at the time of Bellotto’s visit belonged to the noblemen Gabrio and Giuseppe Perabò from Varese, who held prestigious posts in the administration of the city and above all had friendly relations with Cardinal Giuseppe Pozzobonelli, a knowledgeable collector who became bishop of Milan in 1744.
Data 1744 Edit this at Wikidata
Teknika oil on canvas Edit this at Wikidata
Neurriak altuera: 84,5 cm Edit this at Wikidata; Zabalera: 98,5 cm Edit this at Wikidata
dimensions QS:P2048,+84.5U174728
dimensions QS:P2049,+98.5U174728
institution QS:P195,Q150066
Erregistro-zenbakia
214 (Pinacoteca di Brera) Edit this at Wikidata
Aipuak
Jatorria/Argazkilaria https://pinacotecabrera.org/collezione-online/opere/veduta-di-gazzada-2/
Lizentzia
(Fitxategi hau berrerabiltzen)
Honoko hau, domeinu publikoan dagoen bi dimentsioko artelan baten argazki-erreprodukzio fidela da. Artelana domeinu publikoan dago ondoko arrazoi hauengatik:
Public domain

Lan hau jabetza publikoan dago bai bere jatorrizko herrialdean, bai egile eskubideak egilea hil eta 100 urtera edo gutxiagora iraungitzen diren gainerako herrialdeetan.

This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
Wikimedia Fundazioak duen jarrera ofiziala hau da:«domeinu publikoan dauden bi dimentsioko erreprodukzio fidelak domeinu publikokoak dira.»
Argazki-erreprodukzio hau, beraz, domeinu publikokotzat hartzen da Estatu Batuetan. Beste jurisdikzio batzuetan eduki honen berrerabilera mugatua egon liteke; xehetasunetarako, ikus Reuse of PD-Art photographs.
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View of Gazzada near Varese ingelesa

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oraingoa05:55, 18 azaroa 202105:55, 18 azaroa 2021 bertsioaren iruditxoa3.763 × 2.401 (2,42 MB)Oursana== {{int:filedesc}} == {{Artwork |wikidata = Q19681664 |description = {{en|1=The two canvases were acquired for Brera from the antique dealer Alessandro Brison. Painted during Bellotto’s journey to Lombardy in 1744, they constitute one of the highest achievements of Europe an landscape painting, while at the same time representing a move in a new direction thanks to the naturalness of the representation and its adherence to reality: unlike the traditional vedute of Canaletto, which im...

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