Fitxategi:Still Life with Gilt Goblet 1635 Willem Claesz Heda.jpg
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Laburpena
Willem Claeszoon Heda: Still Life with a Gilt Cup | |||||||||||||||||||||||||||
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Artista |
artist QS:P170,Q40150 |
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Izenburua | |||||||||||||||||||||||||||
Object type | margolan | ||||||||||||||||||||||||||
Genero | izadi hil | ||||||||||||||||||||||||||
Deskribapena |
On a table laid with a green table cloth and two linen damask serviettes are displayed: pewter plates with bread and a pewter dish with oysters, a glass of red wine, a glass olive oil or vinegar jug, a silver salt cellar, a rummer of white wine, a gilt silver cup, a pewter jug and a Berkemeyer laying on its side. |
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Data |
1635 date QS:P571,+1635-00-00T00:00:00Z/9 |
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Teknika | oil on panelmedium QS:P186,Q296955;P186,Q106857709,P518,Q861259 | ||||||||||||||||||||||||||
Neurriak |
altuera: 88 cm; Zabalera: 113 cm dimensions QS:P2048,88U174728 dimensions QS:P2049,113U174728 |
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Bilduma |
institution QS:P195,Q190804 |
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Egungo kokapena |
Gallery of Honour |
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Erregistro-zenbakia |
SK-A-4830 |
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Place of creation | Haarlem | ||||||||||||||||||||||||||
Object history |
by 1977 date QS:P,+1977-00-00T00:00:00Z/7,P1326,+1977-00-00T00:00:00Z/9 : Richardot, Choisey Castle, Jura1977ko abenduaren 13a: anonymous sale at Palais d'Orsay, Paris (auction house), lot no. 18 1977: acquired by R. Lebel (art dealer ), Paris date QS:P,+1984-00-00T00:00:00Z/7,P1326,+1984-00-00T00:00:00Z/9 : Noortman & Brod (art dealer ), Londres/Maastricht1984: purchased by the Rijksmuseum Amsterdam, Amsterdam, from Noortman & Brod for 3.000.000 NLG |
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Nondik eskuratua | Purchased by the Rijksmuseum Amsterdam with support of the Vereniging Rembrandt and the Rijksmuseum-Stichting | ||||||||||||||||||||||||||
Inscriptions |
Sinadura eta data : HEDA · 1635
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Aipuak |
EzezagunaUnknown author, Rijksmuseum Amsterdam online catalogue, as Still Life with a Gilt Cup. EzezagunaUnknown author, RKDimages, Art-work number 6694, as Stilleven met vergulde bokaal, roemer met wijn, een kan en oesters op een tafel met een wit kleed EzezagunaUnknown author, Vereniging Rembrandt, as Stilleven met vergulde bokaal. EzezagunaUnknown author, Web Gallery of Art, as Still-Life with Gilt Goblet. EzezagunaUnknown author (1986) ‘Openbaar Kunstbezit’, Kunstschrift, no. 6, p. 199, ill. 23. Domenicus-van Soest, Marleen (2003) Les Chefs-d'oeuvre. Guide [mus.cat.], [Amsterdam]: Rijksmuseum Amsterdam, p. 89, as Nature morte au bocal doré. Meijer, Fred G. (1993) ‘Frühstucksstilleben und monochrome Banketjes’, Kunst und Antiquitäten, no. 1/2, p. 20, with image. Vels Heijn, Annemarie (1989-1990) ‘Zoutvaten in verschillende stijlen’, Rijksmuseum Kunstkrant, vol. 16, no. 1, with image on p. 8. Vels Heijn, Annemarie [et al.] (1995) Rijksmuseum Amsterdam. I capolavori della collezione, Amsterdam: Rijksmuseum-Stichting, ISBN 90-6611-224-7, p. 38, as Natura morta con boccale dorato. |
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Jatorria/Argazkilaria |
Web Gallery of Art: Irudi Info about artwork reference_wga QS:P973,"http://www.wga.hu/html/h/heda/goblet.html" |
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Beste bertsioak |
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Lizentzia
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Argazki-erreprodukzio hau, beraz, domeinu publikokotzat hartzen da Estatu Batuetan. Beste jurisdikzio batzuetan eduki honen berrerabilera mugatua egon liteke; xehetasunetarako, ikus Reuse of PD-Art photographs. |
Annotations InfoField | This image is annotated: View the annotations at Commons |
Signed and dated: HEDA · 1635
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Still Life with a Gilt Cup ingelesa
digital representation of ingelesa
Still Life with a Gilt Cup ingelesa
media type ingelesa
image/jpeg
Fitxategiaren historia
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Data/Ordua | Iruditxoa | Neurriak | Erabiltzailea | Iruzkina | |
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oraingoa | 23:06, 26 urtarrila 2009 | 1.014 × 788 (114 KB) | Krscal | {{Information |Description={{en|1=Still Life with Gilt Goblet (1635) by Willem Claesz Heda Rijksmuseum Amsterdam}} |Source=WGA http://www.wga.hu/html/h/heda/goblet.html |Author=Willem Claesz Heda |Date=1635 |Permission={{PD-Art}} |other_versions= }} <!- |
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JPEG fitxategiaren iruzkina | HEDA, Willem Claesz.
(b. 1594, Haarlem, d. 1680, Haarlem) Still-life with Gilt Goblet 1635 Oil on panel, 88 x 113 cm Rijksmuseum, Amsterdam The work of the Dutch still-life painters who appear around 1620 corresponds to the tonal trend of the landscapists of van Goyen's generation. Pieter Claesz and Willem Claesz. Heda, popularizers of the breakfast piece, are the principal representatives of this phase. Claesz, the father of the landscapist Nicolaes Berchem, was born at Berchem (probably the village near Antwerp). Heda's origins are obscure. Both were primarily active at Haarlem and underwent similar stylistic developments. Their early works show the influence of the older still-life painters, but they soon limited themselves to the description of a simple meal set near the corner of a table - some bread and cheese, a herring on a pewter dish, a glass of beer or wine, perhaps a silvery pewter vessel, and a white crumpled tablecloth - just enough to suggest a light breakfast or snack. These objects, which always look as if they had been touched by someone who is still close by, are no longer treated as isolated entities: they are grouped together, forming masses along a single diagonal axis. But more important, Pieter Claesz and Heda reacted to the comprehensive forces of light and atmosphere which envelop us and the things with which we live, and they found means to express their reactions to these forces as accurately, immediately, and intensely as possible. As a result, they seem to animate their simple subjects. With a new pictorial mode, they achieve a more dynamic spatial and compositional treatment. The foreground of their unpretentious arrangements becomes spacious, and there is clear recession. Instead of vivid local colours, monochromatic harmonies with sensitive contrasts of valeurs of low intensity are favoured, without, however, a loss of the earlier regard for textural differentiation. From the point of view of composition and of colouristic, tonal, and spatial treatment the perfectly balanced still-lifes by Claesz and Heda are among the most satisfying Dutch paintings made during the century. Claesz has a more vigorous touch than Heda. He was also a man of simpler tastes. Heda depicts oysters more frequently than herrings, and after 1640 his compositions became larger, richer, and more decorative. To obtain a more monumental effect, during his maturity Heda often abandons the traditional horizontal format for a vertical one. Ornate silver vessels and costly 'façon de Venise' glasses, at the time blown in the Netherlands as well as Venice, intensify the contrasts of valeurs, and touches of colour provided by the pink of sliced hams and ripe fruit are combined with an increased chiaroscuro.
Author: HEDA, Willem Claesz. Title: Still-life with Gilt Goblet Time-line: 1601-1650 School: Dutch Form: painting Type: still-life |
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