Fitxategi:The Kitchen. From A Home (26 watercolours) (Carl Larsson) - Nationalmuseum - 24211.tif

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Carl Larsson: The Kitchen. From A Home (26 watercolours)  wikidata:Q18587412 reasonator:Q18587412
Artista
Carl Larsson  (1853–1919)  wikidata:Q187310 s:sv:Författare:Carl Larsson
 
Carl Larsson
Bestelako izenak
Carl Olof Larsson
Deskribapena watercolorist, ilustratzaile, margolari, grabatzaile, artista grafiko eta marrazkilari SE
Jaiotza/heriotza data 1853ko maiatzaren 28a Edit this at Wikidata 1919ko urtarrilaren 22a Edit this at Wikidata
Jaiotza/heriotza lekua Storkyrkoförsamlingen Sundborns
Lan egindako epea 1873 Edit this at Wikidata–1919 Edit this at Wikidata
Lan egindako lekua
Stockholm; Paris; Grez-sur-Loing; Falun udalerria Edit this at Wikidata
Autoritateen kontrol
artist QS:P170,Q187310
image of artwork listed in title parameter on this page
Izenburua
English: The Kitchen. From A Home (26 watercolours)
Svenska: Köket. Ur Ett hem (26 akvareller)
Object type margolan
object_type QS:P31,Q3305213
Deskribapena
English: Carl and Karin Larsson combined new design with old traditions. Practicality dictated their interior design, but it was equally important that furniture and objects form an attractive harmony. This ideal was also propagated by others, including Ellen Key, who advocated homes that were in a new and light style, in her essay “Skönhet för alla” (Beauty for All) in 1899.

The Larssons moved to Lilla Hyttnäs, a house in Sundborn, in the summer of 1889. Here, Carl and Karin together created the interiors that made their home famous. Karin designed the furniture and textiles, which she embroidered and wove. A studio was fitted up in one of the hallways. It features many eye-catching details, including the funny man crowning a column. When a larger studio extension was added, this room became a workshop for the whole family.

The interiors of the Larsson home were characterised by rural simplicity. Nevertheless, every detail was carefully designed, with influences from England, Scotland and Japan. The kitchen, which was first and foremost a place for household chores, did not display the same modern interior style and comfort as the rest of the house.
Svenska: Hos Carl och Karin Larsson möttes ett nytt formspråk och gammal tradition. De praktiska ändamålen styrde inredningen, men lika viktigt var att möblerna och föremålen samspelade i en harmoni. Dessa idéer förespråkades också till exempel av Ellen Key. Hon pläderade för nya och ljusa hem i sin uppsats ”Skönhet för alla” från 1899.

Larssons flyttade till huset Lilla Hyttnäs i Sundborn sommaren 1889. Carl och Karin skulle där tillsammans skapa den inredning som gjorde hemmet berömt. Karin formgav både möbler och textilier som hon broderade och vävde. En av tamburerna inreddes tidigt till ateljé. Där finns rikligt av iögonfallande detaljer, till exempel den lustige figuren på krönet till stolpen. När en större ateljé byggdes blev detta rum en verkstad för hela familjen.

Inredningarna i det Larssonska hemmet gav sken av en lantlig enkelhet. Samtidigt var allt noga genomtänkt och influenserna hämtades bland annat från England, Skottland och Japan. Köket som främst var en plats för hushållsarbete och matlagning hade dock inte samma moderna inredningsstil och bekvämlighet som de övriga rummen.
Original caption
InfoField
English: Carl and Karin Larsson combined new design with old traditions. Practicality dictated their interior design, but it was equally important that furniture and objects form an attractive harmony. This ideal was also propagated by others, including Ellen Key, who advocated homes that were in a new and light style, in her essay “Skönhet för alla” (Beauty for All) in 1899.

The Larssons moved to Lilla Hyttnäs, a house in Sundborn, in the summer of 1889. Here, Carl and Karin together created the interiors that made their home famous. Karin designed the furniture and textiles, which she embroidered and wove. A studio was fitted up in one of the hallways. It features many eye-catching details, including the funny man crowning a column. When a larger studio extension was added, this room became a workshop for the whole family.

The interiors of the Larsson home were characterised by rural simplicity. Nevertheless, every detail was carefully designed, with influences from England, Scotland and Japan. The kitchen, which was first and foremost a place for household chores, did not display the same modern interior style and comfort as the rest of the house.
Svenska: Hos Carl och Karin Larsson möttes ett nytt formspråk och gammal tradition. De praktiska ändamålen styrde inredningen, men lika viktigt var att möblerna och föremålen samspelade i en harmoni. Dessa idéer förespråkades också till exempel av Ellen Key. Hon pläderade för nya och ljusa hem i sin uppsats ”Skönhet för alla” från 1899.

Larssons flyttade till huset Lilla Hyttnäs i Sundborn sommaren 1889. Carl och Karin skulle där tillsammans skapa den inredning som gjorde hemmet berömt. Karin formgav både möbler och textilier som hon broderade och vävde. En av tamburerna inreddes tidigt till ateljé. Där finns rikligt av iögonfallande detaljer, till exempel den lustige figuren på krönet till stolpen. När en större ateljé byggdes blev detta rum en verkstad för hela familjen.

Inredningarna i det Larssonska hemmet gav sken av en lantlig enkelhet. Samtidigt var allt noga genomtänkt och influenserna hämtades bland annat från England, Skottland och Japan. Köket som främst var en plats för hushållsarbete och matlagning hade dock inte samma moderna inredningsstil och bekvämlighet som de övriga rummen.
Data Data ezezaguna
Unknown date
Teknika
Svenska: Akvarell. Glasad
Neurriak
  • altuera: 32 cm; Zabalera: 43 cm
    dimensions QS:P2048,32U174728
    dimensions QS:P2049,43U174728
  • Framed: altuera: 37 cm; Zabalera: 51 cm; sakonera horizontalean: 2 cm
    dimensions QS:P2048,37U174728
    dimensions QS:P2049,51U174728
    dimensions QS:P5524,2U174728
institution QS:P195,Q842858
Erregistro-zenbakia
NMB 270
Exhibition history
  • Q109467568, 1935ko ekainaren 3a - 1935ko urriaren 6a Edit this at Wikidata
  • Q109467852, 1948ko otsailaren 12a - 1948ko martxoaren 31 Edit this at Wikidata
Inscriptions
Svenska: Signerad: C.L. [monogram]
Aipuak
Jatorria/Argazkilaria Bodil Karlsson / Nationalmuseum
Lizentzia
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This is a faithful photographic reproduction of an original two-dimensional work of art. The work of art itself is in the public domain for the following reason:

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Egilea 1919. urtean hil zen. Beraz, lan hau jabetza publikoan dago bai bere jatorrizko herrialdean, bai egile eskubideak egilea hil eta 100 urtera edo gutxiagora iraungitzen diren gainerako herrialdeetan.

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Carl Larsson, The Kitchen, ca. 1898.

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