Begirada maskulino

Teoria feministaren arabera, begirada maskulinoa (ingelesez: male gaze) arte bisualetan eta literaturan mundua eta emakumea ikuspegi maskulino heterosexual batetik irudikatzea da, emakumeak gizonezkoen objektu sexualak bailiran.^[1]^[2]^[3] Begirada maskulinoak hiru ikuspuntu ditu: (i) kamera atzeko pertsonarena, (ii) lanaren pertsonaiena, eta (iii) ikus-entzulearena.^[4]^[5]

'Begirada maskulinoa' esapidea 1975ean proposatu zuen Laura Mulvey film kritikari feministak; bere kontrako idea begirada feminista da.^[6] Eskopofilia izeneko filiarekin lotura estua du, non emakumeek behatuaren rol pasiboa jokatzen duten.^[7]

Erreferentziak

↑ Eaton, E.W.. (2008ko iraila). «Feminist philosophy of art» Philosophy Compass (Wiley) 3 (5): 873–893. doi:10.1111/j.1747-9991.2008.00154.x..
↑ Feminist Aesthetics. in: Stanford Encyclopedia of Philosophy. 2012ko negua.
↑ Łuczyńska-Hołdys, Małgorzata. (2013). «Soft-Shed Kisses: Re-visioning the Femme Fatale in English Poetry of the 19th Century» Cambridge Scholars Publishing (15).
↑ Devereaux, Mary. (1995). Brand, Peggy Z.; Korsmeyer, Carolyn eds. 126 Oppressive Texts, Resisting Readers, and the Gendered Spectator: The "New" Aesthetics. in: Feminism and tradition in aesthetics. University Park, Pennsylvania: Penn State University Press ISBN 9780271043968..
↑ Walters, Suzanna Danuta. (1995). 57 Visual pressures: on gender and looking. in: Material girls: making sense of feminist cultural theory. Berkeley, Kalifornia: University of California Press ISBN 9780520089778..
↑ Jacobsson, Eva-Maria. (1999). (pdf) A Female Gaze?. Stockholm: Kungliga Tekniska Högskolan.
↑ Mulvey, Laura. (1975eko udazkena). «Visual pleasure and narrative cinema» Screen (Oxford Journals) 16 (3): 6–18. doi:10.1093/screen/16.3.6..

Kanpo estekak

Datuak: Q15930278

Artikulu hau zirriborroa da. Wikipedia lagun dezakezu edukia osatuz.

[1] Eaton, E.W.. (2008ko iraila). «Feminist philosophy of art» Philosophy Compass (Wiley) 3 (5): 873–893. doi:10.1111/j.1747-9991.2008.00154.x..

[2] Feminist Aesthetics. in: Stanford Encyclopedia of Philosophy. 2012ko negua.

[3] Łuczyńska-Hołdys, Małgorzata. (2013). «Soft-Shed Kisses: Re-visioning the Femme Fatale in English Poetry of the 19th Century» Cambridge Scholars Publishing (15).

[4] Devereaux, Mary. (1995). Brand, Peggy Z.; Korsmeyer, Carolyn eds. 126 Oppressive Texts, Resisting Readers, and the Gendered Spectator: The "New" Aesthetics. in: Feminism and tradition in aesthetics. University Park, Pennsylvania: Penn State University Press ISBN 9780271043968..

[5] Walters, Suzanna Danuta. (1995). 57 Visual pressures: on gender and looking. in: Material girls: making sense of feminist cultural theory. Berkeley, Kalifornia: University of California Press ISBN 9780520089778..

[jacobsson-6] Jacobsson, Eva-Maria. (1999). (pdf) A Female Gaze?. Stockholm: Kungliga Tekniska Högskolan.

[mulvey1975-7] Mulvey, Laura. (1975eko udazkena). «Visual pleasure and narrative cinema» Screen (Oxford Journals) 16 (3): 6–18. doi:10.1093/screen/16.3.6..

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