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John Martin (margolaria)

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John Martin (margolaria)

(1839)
Bizitza
JaiotzaHaydon Bridge (en) Itzuli, 1789ko uztailaren 19a
Herrialdea Britainia Handia eta Irlandako Erresuma Batua
 Britainia Handiko Erresuma  1801eko urtarrilaren 1a)
 Erresuma Batua
HeriotzaDouglas, 1854ko otsailaren 17a (64 urte)
Heriotza modua: gaixotasun zerebrobaskularra
Familia
Anai-arrebak
Hezkuntza
Hizkuntzakingelesa
Jarduerak
Jarduerakmargolaria, Irarlea, ilustratzailea, artista, artista grafikoa, akuafortista, grabatzailea, watercolorist (en) Itzuli, landscape painter (en) Itzuli, gai historikoen margolaria, idazlea eta arkitektoa
Lantokia(k)Ingalaterra eta Erresuma Batua
Lan nabarmenak
Mugimenduaerromantizismoa
Genero artistikoapaisaia margolaritza
margolaritza erlijiosoa
Musicbrainz: 1042f351-543d-4e10-bc50-b2cf0a4cefcd Discogs: 2239135 Edit the value on Wikidata

John Martin (Haydon Bridge, Northumberland, 1789ko uztailaren 19a – Douglas, Man, 1854ko otsailaren 17a) ingeles margolari, grabatzaile eta ilustratzailea izan zen.

Margolarirza heraldikoa ikasten hasi zen karroza egile batekin eta gero portzelanazko margolari italiar batekin. 1806an Londresera iritsi eta hemeretzi urterekin ezkondu zen, eta margolaritza eskolak emanez eta akuarelak eta kristal eta portzelana gainean margotuz atera zuen bizimodua. 1811n, Royal Academyn erakustea lortu zuen, batez ere Itun Zaharrean inspiratutako obra bibliko handiak. John Miltonen lanetan ere inspiratu zen. 5000 lagunek ordaindu zuten "Baltazarreko festatxoa" ikusteko. Bere margolanetako batzuk argia erabiliz animatzen ziren diorama bezala erabili ziren. Bere lanetan irudi ñimiñoak agertzen dira fantasiazko konposizioetan, gero grabatuak egiteko oinarri gisa erabili zirenak.

Iruditegia[aldatu | aldatu iturburu kodea]

  • Ruins of an Ancient City (1810). Oil on paper, mounted on canvas, 95.6 x 118.6 cm. Cleveland Museum of Art, Ohio
    Ruins of an Ancient City (1810). Oil on paper, mounted on canvas, 95.6 x 118.6 cm. Cleveland Museum of Art, Ohio
  • Arcadian Landscape (1810-14). Oil on canvas. Museum of the Shenandoah Valley
    Arcadian Landscape (1810-14). Oil on canvas. Museum of the Shenandoah Valley
  • Sadak in Search of the Waters of Oblivion (1812). Oil on canvas, 76.2 × 63.5 cm. Saint Louis Art Museum, Missouri
    Sadak in Search of the Waters of Oblivion (1812). Oil on canvas, 76.2 × 63.5 cm. Saint Louis Art Museum, Missouri
  • Moonlight, Chepstow Castle (1815). Watercolour with gum arabic. Art Gallery of South Australia, Adelaide
    Moonlight, Chepstow Castle (1815). Watercolour with gum arabic. Art Gallery of South Australia, Adelaide
  • Joshua Commanding the Sun to Stand Still upon Gibeon (1816). Oil on canvas, 150 x 231 cm. National Gallery of Art, Washington, D.C.
    Joshua Commanding the Sun to Stand Still upon Gibeon (1816). Oil on canvas, 150 x 231 cm. National Gallery of Art, Washington, D.C.
  • The Bard (c. 1817). Oil on canvas, 127 x 101.6 cm. Yale Center for British Art, New Haven, Connecticut
    The Bard (c. 1817). Oil on canvas, 127 x 101.6 cm. Yale Center for British Art, New Haven, Connecticut
  • Belshazzar's Feast (1820). Oil on canvas, 90.2 x 130.2 cm. Yale Center for British Art, New Haven
    Belshazzar's Feast (1820). Oil on canvas, 90.2 x 130.2 cm. Yale Center for British Art, New Haven
  • Macbeth (1820). Oil on canvas, 86 x 65.1 cm. Scottish National Gallery, Edinburgh
    Macbeth (1820). Oil on canvas, 86 x 65.1 cm. Scottish National Gallery, Edinburgh
  • The Destruction of Pompei and Herculaneum (c. 1821). Oil on canvas, 161.6 x 253 cm. Tate Britain, London
    The Destruction of Pompei and Herculaneum (c. 1821). Oil on canvas, 161.6 x 253 cm. Tate Britain, London
  • Seventh Plague of Egypt (1823). Oil on canvas, 144.1 x 214 cm. Museum of Fine Arts, Boston, Boston
    Seventh Plague of Egypt (1823). Oil on canvas, 144.1 x 214 cm. Museum of Fine Arts, Boston, Boston
  • The Deluge (1834). Oil on canvas, 168.3 x 258.4 cm. Yale Center for British Art, New Haven, Connecticut
    The Deluge (1834). Oil on canvas, 168.3 x 258.4 cm. Yale Center for British Art, New Haven, Connecticut
  • The Coronation of Queen Victoria (1839). Oil on canvas, 238.1 x 185.4 cm. Tate Britain, London
    The Coronation of Queen Victoria (1839). Oil on canvas, 238.1 x 185.4 cm. Tate Britain, London
  • The Eve of the Deluge (1840). Oil on canvas, 143 x 218 cm. Windsor Castle, London
    The Eve of the Deluge (1840). Oil on canvas, 143 x 218 cm. Windsor Castle, London
  • The Assuaging of the Waters (1840). Oil on canvas, 143.5 x 219.1 cm. California Palace of the Legion of Honor, San Francisco
    The Assuaging of the Waters (1840). Oil on canvas, 143.5 x 219.1 cm. California Palace of the Legion of Honor, San Francisco
  • Joshua Commanding the Sun to Stand Still (c. 1840). Oil on canvas, 47.9 x 108.3 cm. National Gallery of Art, Washington, D.C.
    Joshua Commanding the Sun to Stand Still (c. 1840). Oil on canvas, 47.9 x 108.3 cm. National Gallery of Art, Washington, D.C.
  • Destruction of Tyre (1840). Oil on canvas, 83.8 x 109.5 cm. Toledo Museum of Art, Ohio
    Destruction of Tyre (1840). Oil on canvas, 83.8 x 109.5 cm. Toledo Museum of Art, Ohio
  • Pandemonium (1841). Oil on canvas, 123 x 185 cm. Louvre, Paris
    Pandemonium (1841). Oil on canvas, 123 x 185 cm. Louvre, Paris
  • The Plains of Heaven (c. 1851). Oil on canvas, 198 x 306 cm. Tate Britain, London
    The Plains of Heaven (c. 1851). Oil on canvas, 198 x 306 cm. Tate Britain, London
  • The Great Day of His Wrath (1851). Oil on canvas, 196.5 x 303 cm. Tate Britain, London
    The Great Day of His Wrath (1851). Oil on canvas, 196.5 x 303 cm. Tate Britain, London
  • The Last Judgment (1853). Oil on canvas, 196 x 325 cm. Tate Britain, London
    The Last Judgment (1853). Oil on canvas, 196 x 325 cm. Tate Britain, London
  • The Destruction Of Sodom And Gomorrah (1852). Oil on canvas, 136.3 x 212.3 cm. Laing Art Gallery, Newcastle upon Tyne
    The Destruction Of Sodom And Gomorrah (1852). Oil on canvas, 136.3 x 212.3 cm. Laing Art Gallery, Newcastle upon Tyne
  • View in Richmond Park (1850). Oil on paper, 50.8 x 91.5 cm. Fitzwilliam Museum, Cambridge
    View in Richmond Park (1850). Oil on paper, 50.8 x 91.5 cm. Fitzwilliam Museum, Cambridge
  • Twilight in the Woodlands (1850). Oil on canvas, Fitzwilliam Museum, Cambridge
    Twilight in the Woodlands (1850). Oil on canvas, Fitzwilliam Museum, Cambridge
  • Satan Presiding at the Infernal Council (1824). Mezzotint and engraving, size unknown. Victoria and Albert Museum, London
    Satan Presiding at the Infernal Council (1824). Mezzotint and engraving, size unknown. Victoria and Albert Museum, London
  • Joshua Commanding the Sun to Stand Still (1827). Mezzotint and etching, plate, 57.1 x 77.8 cm. National Gallery of Art, Washington D.C.
    Joshua Commanding the Sun to Stand Still (1827). Mezzotint and etching, plate, 57.1 x 77.8 cm. National Gallery of Art, Washington D.C.
  • The Evening of the Deluge (1828). Mezzotint and engraving, 59.7 x 81.7 cm. Victoria and Albert Museum, London
    The Evening of the Deluge (1828). Mezzotint and engraving, 59.7 x 81.7 cm. Victoria and Albert Museum, London
  • Eve's Dream, Satan Aroused, from Paradise Lost (1824–1827) mezzotint, plate, 14 × 20.2 cm. Museum of Fine Arts, Houston
    Eve's Dream, Satan Aroused, from Paradise Lost (1824–1827) mezzotint, plate, 14 × 20.2 cm. Museum of Fine Arts, Houston
  • Paradise, Adam and Eve, the Morning Hymn, from Paradise Lost (1824–1827). Mezzotint, plate 14.3 × 20.5 cm. Museum of Fine Arts, Houston
    Paradise, Adam and Eve, the Morning Hymn, from Paradise Lost (1824–1827). Mezzotint, plate 14.3 × 20.5 cm. Museum of Fine Arts, Houston
  • The Creation of Light, from Paradise Lost (1824–1827). Mezzotint, plate, 13.3 × 19.7 cm. Museum of Fine Arts, Houston
    The Creation of Light, from Paradise Lost (1824–1827). Mezzotint, plate, 13.3 × 19.7 cm. Museum of Fine Arts, Houston
  • Satan Tempting Eve, from Paradise Lost (1824–1827). Mezzotint, plate, 14.3 × 20 cm. Museum of Fine Arts, Houston
    Satan Tempting Eve, from Paradise Lost (1824–1827). Mezzotint, plate, 14.3 × 20 cm. Museum of Fine Arts, Houston
  • Bridge of Chaos, from Paradise Lost (1824–1827). Mezzotint, plate, 14.3 × 21 cm. Museum of Fine Arts, Houston
    Bridge of Chaos, from Paradise Lost (1824–1827). Mezzotint, plate, 14.3 × 21 cm. Museum of Fine Arts, Houston
  • The Destruction of Pharaoh’s Host (1836). Pencil, watercolour with gum arabic, 58.4 x 85.7 cm. J. Paul Getty Museum, Los Angeles
    The Destruction of Pharaoh’s Host (1836). Pencil, watercolour with gum arabic, 58.4 x 85.7 cm. J. Paul Getty Museum, Los Angeles
  • The Country of the Iguanodon (1837). Watercolour on paper, 30.2 x 42.4 cm. Museum of New Zealand Te Papa Tongarewa, Wellington
    The Country of the Iguanodon (1837). Watercolour on paper, 30.2 x 42.4 cm. Museum of New Zealand Te Papa Tongarewa, Wellington
  • Manfred and the Alpine Witch (1837). Watercolour, 38.8 x 55.8 cm. The Whitworth, Manchester
    Manfred and the Alpine Witch (1837). Watercolour, 38.8 x 55.8 cm. The Whitworth, Manchester
  • Manfred On The Jungfrau, inspired by Byron's Manfred (1837). Watercolour, gouache and gum arabic, dimensions unknown. Birmingham Museums Trust, Birmingham
    Manfred On The Jungfrau, inspired by Byron's Manfred (1837). Watercolour, gouache and gum arabic, dimensions unknown. Birmingham Museums Trust, Birmingham
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